Mina Witteman – author | editor | teacher of creative writing

A Title Poll

Posted on November 26, 2010

The end is nearing. I am getting really close to finishing the revision on TURING’S DECEIT, a.k.a. DARK FIBER.

The one thing that is still bothering me is the title. So I decided to call in some help. Your help!
Do you remember what it’s about?
It’s a thriller and it’s about greedy Matt Turing and gullible Jonathan Kelder, it’s about the ultimate compression algorithm and a multi-million dollar deal. It’s about good and evil and about the dark that lives inside all of us…
If you need more you can read the tentative blurb or a(pre-revsion!) sample.

Help me out and tell me which title would entice you into buying the book!

 

A final boost

Posted on November 22, 2010

Where would you go if you needed a boost? Who can give you that final push to get you to the finish line? What works for you?

I am in the final stages of the DARK FIBER revision. It’s working out well for Jonathan Kelder and his antagonist Matt Turing, but for me it’s a long and hard journey towards the end and I definitely needed a boost.
Amsterdam, of course, provides plenty of boosting opportunities, but being a straight edger most of them are –out of choice, but still :)– beyond my reach. I have plenty of friends, the writing kind and the non-writing kind, that will gladly pull me through. Actually, I even have a whole NaNoWriMo group that cheers me on, these days. A tremendous boost as it is, if you consider the fact that they are running a writing marathon themselves!
Meeting Jennifer Donnelly in Manhattan was a cool boost, too. I know REVOLUTION is the toughest book she’s ever written, but the result is absolutely spirit-lifting!
Another boost comes from my agent. While writing I can feel his presence. He watches over me, he has faith in me and in my writing and above all he has faith in DARK FIBER.

But the ultimate boost came from these guys. They ran, or rather rolled, the New York Marathon. More than the professional runners, who make the marathon seem like a stroll in the park, they showed me what perseverance and resilience meant. Watching them and cheering them on gave me that final push. DARK FIBER is my marathon, but I will get to that finish line!

Perseverance at its best!

New York closes in on you

Posted on November 12, 2010

It was a first time, as there is a first time for everything: my visit to New York City. I needed to go there to do research for DARK FIBER. I needed to explore Jonathan Kelder’s state of mind when he wanders that city. Jonathan is my protagonist and while he tries to figure a way out, his antagonist weaves a web around him, pulling the net ever tighter.

In New York, I put myself in Jonathan’s shoes and hopped on an early ferry to Ellis Island as that seemed the most suitable place to start my journey.
It was strangely vacant, Ellis Island, but its emptiness didn’t breathe a single molecule of freedom. My footsteps ricochetted hollowly off the blood-colored floor tiles and against the metal window frames. I looked out to catch a glimpse of the promised land, as so many people must have done before me, but the windows barred me from seeing liberty.

Feeling locked in turned out to be illustrative for my visit to Gotham City or, as they say, ‘Manhattan below 14th Street at eleven minutes past midnight on the coldest night in November.’ And it sure bode ill for Jonathan and his attempts to ward off fate. The cabling on Brooklyn Bridge prevented souls from jumping to safety. Even the barred windows of the Public Library held a little bird trapped inside its thick marble walls.
Wherever I went, wherever Jonathan went, cold metal bars and unforgiving steel cables kept him –and me– from finding a way out.

 

Why Writers Rock

Posted on November 1, 2010

These past few months my life seems to revolve around words and chords, around writing and music. It made me rethink the name of my blog and my dear friend Jay unwittingly told me what it should be: Writers Rock.

Words come in multiples as I am working on the revision of my thriller Dark Fiber. One day I hit 5,000 words and the next day I don’t even come close to a mere 500. But no matter how many words do find their way from inside my head to my manuscript, music accompanies them all.

Paganini's Caprices on a sax

If I am on a roll, I switch my iTunes controls to repeat and listen to the same song over and over again, until I almost fall in a trance. It may be Gorillaz ‘Rhinestone Eyes’, which gives me a clear view on how my bad guy’s eyes may betray him, or it is Rage Against the Machine’s ‘Freedom’ telling me how badly my bad guy wants to break free.
On other days it is Raaf Hekkema playing Paganini’s Caprici no. 1 on his sax, firing up my fingers and pushing up my typing speed to unknown highs. He’s a wizard on the sax, that Raaf, and he makes me wish that just a teeny-weeny portion of his dedication, his stamina and his creativity rubs off on me by just listening to him.

Frank Portman's King Dork on Booktunes

When I quit the writing and listening for a while, it doesn’t mean that the words and music quit me. To relax… I grab a book and read. But I always grab books with music in them. I read them for Booktunes, compiling the play lists of the music the authors use to get their protagonist through life. I was in total awe of Jennifer Donnelly’s Revolution and Frank Portman’s King Dork made me laugh. He sent me on this superb trip down memory lane with his “Merseyside/British Invasion sort of thing” and his Bubblegum. Now I am reading A Little Wanting Song by Cath Crowley for Booktunes and it makes me happy when her protagonist Charlie says: ‘I’ve got the start of a song in my head that’s warm and full of light. Spattered with chords that move like water.’
My review of that book and yet another great play list will be on Booktunes shortly.

Yes, writers rock. They do!

Amsterdam view: writing a good read

Posted on October 26, 2010

Hiking the BC mountains

These days I am writing an average of 3,500 words a day revising my thriller DARK FIBER. It’s hard work, leaving me no time for a social life whatsoever.
Luckily that isn’t a problem at all, because my protagonist Jonathan Kelder doesn’t have a social life either, and part of my method of writing is that I like to experience what my protagonists’ go through. If they go out rafting, I go out rafting. If they hike cold and misty mountains in Canada, I hike the same cold and misty mountains.

Rafting Husum Falls - me going under

I love doing what my protagonists do.
And I think it works. One of the compliments I get from readers is that reading my books make them feel like they are actually joining my protagonists on their quests.

I like that!

So if my leading a hermit’s life will later on wrap my good guy’s solitude around my readers, turn their hearts into icy cold stones, if they can literally feel his desolation, his despair even, I have accomplished what I intended to do: write a good read.

Amsterdam view: a writer’s autumn

Posted on October 20, 2010

Blue skies, but another storm already building up

Today’s a writing day. I can feel it in my bones, I can see it outside. It is the most perfect weather for a writer, here in Amsterdam. Like yesterday – when I did 5,000 words on the revision of my techno thriller Turing’s Deceit, a.k.a. Dark Fiber – autumn races past my window, pushing on every writing fiber in my body.

A stiff northern wind brings me sunshine and bright skies one minute, hail and thunderstorms the next. It is as if the Northern gods urge me to write faster and faster, as if they want me and my protagonist to hurry up, and get us to Ragnarök to fight that mythical war against the great serpent.

I am wondering whether my protagonist will be in time and if he will be courageous enough to slay that monstrous snake. Or will he, like Thor, only be able to take another nine steps before the venom of the villain kills him?
I am wondering if his world will darken, leaving him in a black and gruesome hole. If rain and hail, if thunderstorms will flood his world, sucking him under, never to surface again.

Or will he survive? Will he escape his fate and raise from the dark, thirsting after revenge?

Paris view: Sadness down in four notes

Posted on October 15, 2010

 

Paris

 

It is very rare that I get to read a book that immediately touches the right chord. Jennifer Donnelly’s Revolution is such a book. Andi Alpers, her protagonist, grabbed me by the throat at the very first page and didn’t let go. I read Revolution in one go, not wanting it to stop. Not the words, not the music in it. Ever!

Revolution is about Andi Alpers, a gifted musician and student. She is a senior at a prestigious private school in Brooklyn when grief threatens to destroy her life. She is angry with her father for moving on with his life, heartbroken by the pain she sees in her mother, who’s not able to cope with life anymore, and she blames herself for the death of her little brother, Truman. On the verge of getting expelled from school, Andi’s father forces her to join him on a trip to Paris. In Paris Andi accidently comes across a diary in an old guitar case, the diary of Alexandrine Paradis, an actress living in Paris during the French Revolution.

 

Jennifer Donnelly

 

Under Donnelly’s crafty hands B-flat, F, G, E, the four saddest notes ever written, resonate in your ears as they become illustrative of Andi’s life, and when Donnelly transposes them into Alexandrine’s 18th century life she makes sure that those four notes will never leave you again. What Donnelly does in this compelling novel is what Andi wishes upon her father: she lets you hear the music, or in Andi’s words: ‘I’m wishing. Wishing he could hear music. Wishing he could hear me. Wishing that for just a minute or two, he would close his eyes and listen to Malherbeau’s gorgeous Concerto in A Minor, the Fireworks Concerto, and feel what I feel. Feel the sound echoing in the hollow of his bones. Feel his heart find its rhythm in quarters and eights. Wishing he could hear that bleak metallic sample in Radiohead’s “Idioteque” and recognize the Tristan Chord, the one Wagner used at the beginning of Tristan and Isolde. He might know that that particular sample came from a Paul Lansky piece, composed for computer, called “mild und leise,” or he might not, but he’d surely recognize that four-note bad-news chord.’

Read this book! Find its music on Booktunes! I am sure it will grab you as it grabbed me.