Mina Witteman – author | editor | teacher of creative writing

Posts from the “Thrillers” Category

Daily Distraction: DARK FIBER – a serial thriller, episode 1

Posted on June 21, 2014

Matt let his gaze travel up the seventeenth-century gables to the Californian-blue sky hovering over the narrow shopping street that connected two canals. He tried to close his ears to Victoria’s incessant yapping about how she loved Amsterdam and how she loved the hot weather even if it was only May. Her every sentence started with an Oh My God, lined with ear-piercing cries of amazement. Matt hid his balled fists in his pockets. Why had he let her talk him into going after a bloody Dutchman and not an American? They could’ve found someone in Silicon Valley. The Bay area was overpopulated with losers. He shouldn’t have let her persuade him to walk heads in this crowded and cramped city. It imprisoned him,…

Daily Distraction: DARK FIBER – a serial thriller

Posted on June 20, 2014

digital data flow through optical wire

Don’t worry! I’m not going all technical on you, but I am an author closely connected to the nether regions of the Internet and sometimes I get my inspiration from something as mundane as a dark fiber.

What is dark fiber? I hear you ask.

Actually, it’s two things and I’ll give you the – more or less – technical one first: Dark fiber is unused optical fiber that has been laid but is not currently being used in fiber-optic communications, like the Internet. Because fiber-optic cable transmits information in the form of light pulses, a dark cable refers to one through which light pulses are not – yet – being transmitted. There are millions of miles of dark fiber across the world, waiting to be lighted and used to bring us cable TV, telephone or the Internet.

Now my definition of dark fiber:

DARK FIBER is a techno thriller, set in the heart of the Internet where techies control our lives, where we are tapped and peeped at, and where our every move is watched by secret services and by Internet companies, but also by individuals who know their way round in the catacombs of the Internet. One of those techies is Matt Turing, who has his own reasons to zap off the map. Matt has laid the dark fiber for his plan to disappear and all he needs is a numbskull to light it. Jonathan Groen, a former journalist-trainee-turned-bum, seems the perfect dufus and Matt worms his way into Jonathan’s life like a virus, deleting him bit by bit.
But Matt’s machinations wake Jonathan from his lethargy, rekindling his journalistic instincts. Jonathan dives into Matt’s past and presence, determined to find out the truth, and only time will tell if he is fast enough to save his own life.

So, what’s the deal?

I will give you this gruesome story in a feuilleton. From now on you can distract yourself daily with DARK FIBER. Stay tuned for the first episode, which will air tomorrow…

Daily Distraction: Delusion of the Fury

Posted on June 11, 2014

Where to start with this distraction? A national newspaper called Delusion of the Fury virtuoso, fun, wildly imaginative and enchanting, a triumph of music theatre. I’d like to add: the ultimate shot in the arm.
Delusion of the Fury is a series of soundscapes brought to the audience by an outlandish collection of musical instruments, designed and built by a man who let his imagination run free. It blends a Japanese story of a murderer who confronts the ghost of his victim with an African comedy involving a goatherd and a deaf tramp.

During the performance of this extraordinary piece, the story of my next YA novel unfolded. Harry Partch, the composer, developed his own tonal system based on intonation, in which every octave consisted not of 12 equal intervals – as on a modern piano – but 43 small intervals of differing sizes. Partch’s unconventional use of microtones not only opened a doorway to my brain and ignited my imagination, it blew life and death into my story. I will start writing tomorrow.

 

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Daily Distraction: How Does My Writing Process Work?

Posted on May 30, 2014

Tobadzischini and Nayenezgani, the Twin Warriors

Endless toying with ideas until one catches, that is what starts my writing process. I collect intel on the subject, ranging from scribbled notes to images to websites to researching locations and places. During that period the plot unfolds. When I’m sure where it’s going, how the story will be shaped, I start writing.

I write the first draft in one go. No looking back, no revising of the first pages until they shine and sparkle, no such thing. Main reason? I usually end up chucking the first two or three chapters of a novel, so what’s the use. I know there is a lot of ‘First Pages’ going on at writing conferences and professional critiques, but I strongly believe that you can only send in your first pages when you have written the end of your story, even if it turns out a provisional end.

The first draft gets shelved for at least a week or two, before I go back and do a rewrite. I never root around in a draft. I rewrite the whole thing, from beginning to end. That is the only way I can let the story flow, both in my mind and on paper.

The revised draft (which could be the second, third, fourth or fifth draft) goes to my beloved critique partners of the Burnishing Club. Usually two of them get their red Sharpies out. When they return my manuscript, I breathe in deeply, remind myself that they love me, and face the cold wind of being questioned. Don’t’ worry, I love wind, the stronger the better! They never fail me, my crit buddies, and I love them for that.

The final draft is again a thorough rewrite and usually involves the chucking of the first chapters. More often than not they turn out to be backstory. Sometimes, the final draft goes to my crit buddies who haven’t seen it yet, particularly if I’m not sure about it or if I realize that I didn’t kill as much darlings as I should have. Or just because I think the manuscript can do with a pair of fresh eyes. If I’m happy, I put the manuscript aside until I’m ready for a line-edit, where I root out everything ugly and unnecessary like passive sentences, thought verbs, stage directions and what not, where I will tweak and polish until it shines and sparkles like it should.

Then and only then, I will send it out into the world, knowing as an editor, that I will not have shed the last tear or spilled the last drop of sweat. For there will always be agents and editors, who, with a keen eye for detail, find fault in my stars.

 

That’s it, a peek into my writing process. I hope you enjoyed it. Next on the Writing Process Blog Tour are Donna Weidner and Gary Fabbri. Amazing writers! Do visit their blogs and read about their writing process!

Daily Distraction: Why Do I Write What I Do?

Posted on May 29, 2014

BoekomslagenMIna

I like to alternate between longer and shorter work. The novels give me the opportunity to dig deep into a character’s life, make him or her the complex character we humans tend to be. It allows me to add layers to a story. The short stories and picture books, on the other hand, keep me on my toes. They force me to be concise and precise. They keep me from fluffing up a story.

I see my short stories as études, short compositions to improve my writing techniques. It’s where I focus on one plot, one story line, one character, and one page. The novels are my symphonies, where all my writing skills come – or should come – together, where the plot is complex, and the characters not easily pinned down as good or bad.

 

With the three previous posts, this blog post is part of the Writing Process Blog Tour. Go visit Donna Weidner and Gary Fabbri for the next round of peeking into a writer’s kitchen.

Daily Distraction: How Does My Work Differ From Others in My Genre?

Posted on May 28, 2014

Mia 8

 

That is a tough question, as I don’t write in one specific genre. I love writing longer work like middle grade or young adult novels and series, but I also have about 40 short stories for the very young out in the Netherlands and a Little Golden Book – Mia’s Nest – coming up, this fall. A red thread through my work, though, is adventure and if the story asks for it frightening adventure.

Another red thread is that I do open ends. When I was young, I simply hated the end of a book. Often, I would leave the last few pages unread and loved it when my mind would wander along the sheer endless possibilities of where the characters could go if the author hadn’t pinned them down. That’s the freedom I’d like to give my readers, too.

 

With the two previous posts and the next one, this blog post is part of the Writing Process Blog Tour.

Daily Distraction: What Am I Working On?

Posted on May 27, 2014

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My most recent project was a YA thriller, a scary story set in marijuana-ridden Amsterdam. I’ve worked on the manuscript with the ultimate Master of YA lit Ellen Hopkins through the SCBWI Nevada Mentor Program. Ellen’s critiques and suggestions made a world of difference and I am very thankful I had the opportunity to work with her. These past few weeks I have done a thorough –and ‘thorough’ stands for ‘an extremely painful, soul-searching, kill-your-darlings kinda’– line edit of the manuscript and sent it out. So now I’m working on my nails, BITING MY NAILS, that is.

Since biting nails, like all girly stuff, is not my favorite pastime, I write to keep my mind away from this agonizing waiting game. Four projects are on my desk, all in neat stacks, because I am what I am, a former architect school dropout and a diehard math girl. Here goes:

  1. A middle grade adventure series for my Dutch publisher Ploegsma about a young boy who is forced – yes, can you believe that? The nerve! – to sail around the world with his parents.
  2. The English rewrite of an adult psychological thriller with a very creepy techno twist. The thriller set in the heart of the Internet where techies rule our worlds.
  3. A brand new and exciting but very edgy young adult thriller. Can’t tell you much about it yet, except that it will be scare as hell.
  4. As always, I have a few picture book manuscripts lined up, too.