Teaching creative writing, plot and revision in Hawaii.
Teaching creative writing, plot and revision in Hawaii.
the sternum cracked from the inside alveoli plugged with broken stone sand cement water my brain taut with blood thoughts judgments incoherent rambling pushing to where I can’t go so I stay nameless invisible alone and die
Tagged: #amwriting, Mina Witteman, Revision, San Francisco, Sunshine, YA
You don’t have a story until you write it. That’s my adage and a spinoff from my overall writer’s motto: no guts, no glory. But … writing the story isn’t all. To me the most important part of writing is the revision process and I would like to add a second line to the adage: You don’t have a story until you revise it. Multiple times. A story needs to grow up. It needs to mature and it can only reach maturity if you mold and guide it, if you change and tweak it. I revise my stories multiple times and I think revision is where the true joy of being a writer blossoms. Yes, I also get discouraged every now and again, like when I hit the fifteenth…
Tagged: #amwriting, Les deux femmes nues, Picasso, Revision
Endless toying with ideas until one catches, that is what starts my writing process. I collect intel on the subject, ranging from scribbled notes to images to websites to researching locations and places. During that period the plot unfolds. When I’m sure where it’s going, how the story will be shaped, I start writing.
I write the first draft in one go. No looking back, no revising of the first pages until they shine and sparkle, no such thing. Main reason? I usually end up chucking the first two or three chapters of a novel, so what’s the use. I know there is a lot of ‘First Pages’ going on at writing conferences and professional critiques, but I strongly believe that you can only send in your first pages when you have written the end of your story, even if it turns out a provisional end.
The first draft gets shelved for at least a week or two, before I go back and do a rewrite. I never root around in a draft. I rewrite the whole thing, from beginning to end. That is the only way I can let the story flow, both in my mind and on paper.
The revised draft (which could be the second, third, fourth or fifth draft) goes to my beloved critique partners of the Burnishing Club. Usually two of them get their red Sharpies out. When they return my manuscript, I breathe in deeply, remind myself that they love me, and face the cold wind of being questioned. Don’t’ worry, I love wind, the stronger the better! They never fail me, my crit buddies, and I love them for that.
The final draft is again a thorough rewrite and usually involves the chucking of the first chapters. More often than not they turn out to be backstory. Sometimes, the final draft goes to my crit buddies who haven’t seen it yet, particularly if I’m not sure about it or if I realize that I didn’t kill as much darlings as I should have. Or just because I think the manuscript can do with a pair of fresh eyes. If I’m happy, I put the manuscript aside until I’m ready for a line-edit, where I root out everything ugly and unnecessary like passive sentences, thought verbs, stage directions and what not, where I will tweak and polish until it shines and sparkles like it should.
Then and only then, I will send it out into the world, knowing as an editor, that I will not have shed the last tear or spilled the last drop of sweat. For there will always be agents and editors, who, with a keen eye for detail, find fault in my stars.
That’s it, a peek into my writing process. I hope you enjoyed it. Next on the Writing Process Blog Tour are Donna Weidner and Gary Fabbri. Amazing writers! Do visit their blogs and read about their writing process!
Writing prompts are an excellent way of keeping the writing juices flowing. It is supposed to be an old writer’s adage that you should write every day. Some advise you to write in the early morning, even before the day has begun, with your eyes still closed just penning down what bubbles up from your subconscious. Others think it’s best to allocate a dedicated time frame to writing and force yourself to scribble down anything, even if it’s a shopping list, as long as you keep your hand moving. Both methods and numerous others have their merits, but require at least some form of self-discipline, a trait that we writers seem to lack every now and again, be it because we lure ourselves into the…
What is it with revisions that they tend to make a writer’s life harder and at the same time light as snow? I am working on the revision of DARK FIBER or TURING’S DECEIT –still haven’t decided on the title– and it goes well. I do the revision in my own well-tried and proven way. I open the manuscript and place it on the left side of my screen. I open an immaculate document right next to it, which I title REVISION. Next I simply start writing from the very beginning. I retype the entire manuscript and along the way I rewrite and rethink, I change and tweak and kill some of my dearest darlings –some of the life one’s as well I must…
Tagged: Amsterdam, Dark Fiber, Herengracht, Mina Witteman, Revision, thriller, Turing's Deceit