Mina Witteman – author | editor | teacher of creative writing

Posts from the “Books” Category

Daily Distraction: DARK FIBER – a serial thriller, episode 2

Posted on June 22, 2014

Matt followed her nod with his gaze, to the man who trudged his way through the shoppers. Every now and again he looked up and when he did Matt caught a glance of his eyes. The cold shiver turned into an electrical surge that opened his throat and windpipe. As if he looked in a mirror before he’d put on the gray lenses. He stepped back into a shop’s portico, but pushed Victoria towards the man. “Do your magic,” he said softly. “Make it happen.” Victoria stopped the man. She put her hand on his arm with a possessiveness that made him stop. She asked him for the way to the Anne Frank House. For a moment it looked as if the man wanted to ignore her,…

Daily Distraction: DARK FIBER – a serial thriller, episode 1

Posted on June 21, 2014

Matt let his gaze travel up the seventeenth-century gables to the Californian-blue sky hovering over the narrow shopping street that connected two canals. He tried to close his ears to Victoria’s incessant yapping about how she loved Amsterdam and how she loved the hot weather even if it was only May. Her every sentence started with an Oh My God, lined with ear-piercing cries of amazement. Matt hid his balled fists in his pockets. Why had he let her talk him into going after a bloody Dutchman and not an American? They could’ve found someone in Silicon Valley. The Bay area was overpopulated with losers. He shouldn’t have let her persuade him to walk heads in this crowded and cramped city. It imprisoned him,…

Daily Distraction: DARK FIBER – a serial thriller

Posted on June 20, 2014

digital data flow through optical wire

Don’t worry! I’m not going all technical on you, but I am an author closely connected to the nether regions of the Internet and sometimes I get my inspiration from something as mundane as a dark fiber.

What is dark fiber? I hear you ask.

Actually, it’s two things and I’ll give you the – more or less – technical one first: Dark fiber is unused optical fiber that has been laid but is not currently being used in fiber-optic communications, like the Internet. Because fiber-optic cable transmits information in the form of light pulses, a dark cable refers to one through which light pulses are not – yet – being transmitted. There are millions of miles of dark fiber across the world, waiting to be lighted and used to bring us cable TV, telephone or the Internet.

Now my definition of dark fiber:

DARK FIBER is a techno thriller, set in the heart of the Internet where techies control our lives, where we are tapped and peeped at, and where our every move is watched by secret services and by Internet companies, but also by individuals who know their way round in the catacombs of the Internet. One of those techies is Matt Turing, who has his own reasons to zap off the map. Matt has laid the dark fiber for his plan to disappear and all he needs is a numbskull to light it. Jonathan Groen, a former journalist-trainee-turned-bum, seems the perfect dufus and Matt worms his way into Jonathan’s life like a virus, deleting him bit by bit.
But Matt’s machinations wake Jonathan from his lethargy, rekindling his journalistic instincts. Jonathan dives into Matt’s past and presence, determined to find out the truth, and only time will tell if he is fast enough to save his own life.

So, what’s the deal?

I will give you this gruesome story in a feuilleton. From now on you can distract yourself daily with DARK FIBER. Stay tuned for the first episode, which will air tomorrow…

Daily Distraction: Delusion of the Fury

Posted on June 11, 2014

Where to start with this distraction? A national newspaper called Delusion of the Fury virtuoso, fun, wildly imaginative and enchanting, a triumph of music theatre. I’d like to add: the ultimate shot in the arm.
Delusion of the Fury is a series of soundscapes brought to the audience by an outlandish collection of musical instruments, designed and built by a man who let his imagination run free. It blends a Japanese story of a murderer who confronts the ghost of his victim with an African comedy involving a goatherd and a deaf tramp.

During the performance of this extraordinary piece, the story of my next YA novel unfolded. Harry Partch, the composer, developed his own tonal system based on intonation, in which every octave consisted not of 12 equal intervals – as on a modern piano – but 43 small intervals of differing sizes. Partch’s unconventional use of microtones not only opened a doorway to my brain and ignited my imagination, it blew life and death into my story. I will start writing tomorrow.

 

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Daily Distraction: Young Authors Fiction Festival

Posted on June 11, 2014

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For a few years now, I have been a judge at the Young Authors Fiction Festival, a writing contest open to all students ages 5 to 18 in the greater Paris area who write in English. An initiative of the Red Wheelbarrow Bookstore in Paris and the French chapter of the Society of Children’s Book Writers & Illustrators, the Young Authors Fiction Festival is now organized by the American Library in Paris, in collaboration with Time Traveler Tours.

This year, I judged the 3ème/9th grade entries and I applaud these young authors for their braveness. As a writer, I know it takes guts to write a story and send it out into the world. But to have to write the story in less than 1,000 words with a captivating beginning, a gripping middle and a fresh and surprising end is more than brave. It’s an extraordinary accomplishment. Where a novel in its length is fairly forgiving and gives you ample time to set the scene and ease your reader into the story, the short story is like parking a Cadillac Eldorado on a Paris street. You have no room to wriggle, you have to get straight down to the core of the story, strip it to its bare essentials. The winners of this year’s YAFF are nothing but masters of the word. They show us established writers that fierce competition is on its way. We’d better sharpen our pens and beware!

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Daily Distraction: Combing the Streets

Posted on June 4, 2014

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Tea with my dear friend and colleague writer Sieneke de Rooij never fails to end in a marvel of imaginative discoveries. This time, we met a the Lloyd Hotel in Amsterdam, a find an sich. Way back in 1921, the Lloyd started out as a hotel, but in the years after it also served as prison and a juvenile detention center before returning to her old use a few years back. Imagine staying in a room that once was the cell of a thief or a murderer… Every writer’s dream.

We sat outside until the sun chased us in. We climbed up to the second floor to the exhibition of the Street Comber. For over a year, the Street Comber made one collage per day out of small junk she found on the streets. The collages on display were gems of intricate genius. With every collage, a card listed when and where the Street Comber found what bits and pieces.
We circled through the exhibition over and over, every time discovering more stories in these tiny but wondrous finds. We left invigorated and with a heads full of new ideas.

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Daily Distraction: How Does My Writing Process Work?

Posted on May 30, 2014

Tobadzischini and Nayenezgani, the Twin Warriors

Endless toying with ideas until one catches, that is what starts my writing process. I collect intel on the subject, ranging from scribbled notes to images to websites to researching locations and places. During that period the plot unfolds. When I’m sure where it’s going, how the story will be shaped, I start writing.

I write the first draft in one go. No looking back, no revising of the first pages until they shine and sparkle, no such thing. Main reason? I usually end up chucking the first two or three chapters of a novel, so what’s the use. I know there is a lot of ‘First Pages’ going on at writing conferences and professional critiques, but I strongly believe that you can only send in your first pages when you have written the end of your story, even if it turns out a provisional end.

The first draft gets shelved for at least a week or two, before I go back and do a rewrite. I never root around in a draft. I rewrite the whole thing, from beginning to end. That is the only way I can let the story flow, both in my mind and on paper.

The revised draft (which could be the second, third, fourth or fifth draft) goes to my beloved critique partners of the Burnishing Club. Usually two of them get their red Sharpies out. When they return my manuscript, I breathe in deeply, remind myself that they love me, and face the cold wind of being questioned. Don’t’ worry, I love wind, the stronger the better! They never fail me, my crit buddies, and I love them for that.

The final draft is again a thorough rewrite and usually involves the chucking of the first chapters. More often than not they turn out to be backstory. Sometimes, the final draft goes to my crit buddies who haven’t seen it yet, particularly if I’m not sure about it or if I realize that I didn’t kill as much darlings as I should have. Or just because I think the manuscript can do with a pair of fresh eyes. If I’m happy, I put the manuscript aside until I’m ready for a line-edit, where I root out everything ugly and unnecessary like passive sentences, thought verbs, stage directions and what not, where I will tweak and polish until it shines and sparkles like it should.

Then and only then, I will send it out into the world, knowing as an editor, that I will not have shed the last tear or spilled the last drop of sweat. For there will always be agents and editors, who, with a keen eye for detail, find fault in my stars.

 

That’s it, a peek into my writing process. I hope you enjoyed it. Next on the Writing Process Blog Tour are Donna Weidner and Gary Fabbri. Amazing writers! Do visit their blogs and read about their writing process!