Mina Witteman – author | editor | teacher of creative writing

Just One More Day To Go!

Posted on November 30, 2011

One more day to go before the second Amsterdam Literary Death Match.
I’ve told you how it works: 4 writers, 3 judges, 2 rounds and 1 epic finale.

I know who I will vote for: Fantasy-fictionista Mina Witteman, author of The Soul Snatcher, The Weed Man and Dark Fiber.
Hey?
That’s me!
Right, it is me!

Unveiling just a shred of my strategy to win (and those who know me know that I’m merciless if it comes to winning)… I will be reading from my new and burning YA thriller THE WEED MAN. Prepare for a scare, people! The smell of weed and the stink of burning flesh will linger for a long, long while in the great Old West.
The Booktunes Blog will play my anthem while I’m fighting: The Guns of Brixton.

Buy your tickets now and let me tell you about Dorian and Venus — Yes, Venus was her name and she’s got it!

LITERARY DEATH MATCH: December 1, Smart Project Space, Arie Biemondstraat 105-113. It starts at 8:15pm. Sharp!

Want a warm-up? Check out this YouTube video, a compilation of Literary Death Matches from all over the world, starring the ever funny Todd Zuniga.

Literary Death Match

Posted on November 15, 2011

Two more weeks to go before the second Amsterdam Literary Death Match. You know the drill: 4 writers, 3 judges, 2 rounds and 1 epic finale.

I know who I will vote for: Fantasy-fictionista Mina Witteman, author of The Soul Snatcher, The Weed Man and Dark Fiber.
Hey?
That’s me!
Right, it is me!

Unveiling just a shred of my strategy to win (and those who know me know that I’m merciless if it comes to winning)… I will be reading from my new and burning YA thriller THE WEED MAN. Prepare for a scare, people! The smell of weed and the stink of burning flesh will linger for a long, long while in the great Old West.

Buy your tickets now and let me tell you about Dorian and Venus — Yes, Venus was her name and she’s got it!

LITERARY DEATH MATCH: December 1, Smart Project Space, Arie Biemondstraat 105-113

Fabulous Amsterdam Conference

Posted on November 6, 2011

We are looking back at an excellent first SCBWI NL conference. I think every single participant loved the speakers, their keynotes, lectures and the hands-on break-out sessions.
I particularly liked Doug Cushman’s opening keynote and his advice to always remember how you started, why you started, and, most important, what drove you to wanting to be a writer or an illustrator. His Space Cat is a terrific illustration of that: written when Doug was 8 years old and published a couple of years ago. As he said: we don’t change that much.

Erzsi Deàk of the Hen&ink Agency enlightened us on what agents and editors are looking for these days. Her breakdown of the buzz at the Frankfurt International Book Fair was insightful and helpful and gave us, illustrators and writers alike, a good view of where and how we can gain the most of our talents.

The morning break-out sessions were hands-on and all about honing our craft.
Sarah Blake Johnson gave an excellent writer’s masterclass on character and plot and sent the attendees out again brimming with ideas, bubbling with new plot twists and turns, and with fingers itching to start writing. If you ever need a writing coach: she’s your woman!
Ben Norland of Walker Books UK was just awesome. The illustrators hung on his every word, taking in as much as possible of his knowledge and his creative talents. How to develop characters, how to present your work, what works and what not were on his list, but also solid and down-to-earth information on what the differences are between showing your work on paper or on screen, and his guidance on how to best present your pieces and dummies.

The Amsterdam weather didn’t let us down: an almost springlike temperature accompanied us to the various lunch restaurants around the venue, and of course to the American Book Center for a demonstration of the Expresso Book Machine. A nifty little piece of equipment that can turn your manuscripts into books in a matter of minutes.

The afternoon started with another round of break-out sessions.
Erzsi Deàk put the writers that attended her masterclass right to work. Revising your work was the motto here and revision means ‘the act of seeing again’. Erzsi truly let her audience see their own work again, through reading and rereading, through changing the POV’s, through listening and through tweaking and polishing. We had to call them twice before they were willing to put their pens down and come to the next lecture.
Doug Cushman told the attendees of his masterclass to imagine one of their characters. After that the participants were to sketch their character six times, each time with a different emotion, ranging from fright to anger and from surprise to smugness. His advice: use a mirror to study facial expressions and to perfect postures and poses!

The app developer Omar Curiëre of OCG Studios was a revelation. With pictures and videos he talked us through the making of Roxie’s a-MAZE-ing Vacation Adventure and the making of Roxie’s Doors, two apps based on the picture books of Roxie Munro. I can safely say that he left the audience in awe. This was not just a pimped digital image of a picture book, this was everything an app should be: thought-out to the bone, well-crafted, interactive and most of all stunningly beautiful.

Martine Schaap of Ploegsma Children’s Books gave us a fun-and-facts insight in the world of Dutch children’s book publishing. What works in the Netherlands and what works abroad. How often do books get translated. What are Dutch publishers looking for and how do they acquire their titles. The Netherlands and the big world our there.

We closed this full Saturday with a panel of speakers, moderated by the founder of the Dutch SCWBI chapter, the gifted translator Laura Watkinson. With thought-provoking questions she led the speakers and the audience a step closer to understanding the complex world of children’s book publishing in a global market.

During the Schmooze, with some well-deserved wine and snacks, two of our members showed their film work. Anne Awh’s ‘Mating Season’ was sweet and quirky. Liesbeth Wieggers short movie featuring a 33-year-old who overcomes illiteracy was lovely and moving. It reminded us once again about why the world needs good writers and illustrators.

Indonesian restaurant Sampurna treated the speakers and the members of the SCBWI to a delicious meal. Ben Norland had a little bonus for us in stock: Joshua Mowll joined us for dinner. His award-winning The Guild of Specialists trilogy has been published in 20 countries. A true example of publishing in a global market.

In short: The Netherlands and the Big World Out There was a fabulous and inspiring conference and most definitely the onset of much more to come!

Literary Death Match and other good things

Posted on October 31, 2011

Three things came together this past week.

We had a couple of late bloomers signing up for the first SCBWI conference in the Netherlands. Yay! D-Day is this coming Saturday and I am very, very excited about the illustrious illustrator and writer Doug Cushman who will open the conference.
The title of his keynote?

In the Beginning Was Space Cat.

Who doesn’t remember the cosmic adventures of the space hero who effortlessly rivals Buck Rogers, Flash Gordon and many other great space age heroes? Space Cat was the onset of Doug’s stellar career, as it still is the onset of the reading careers of so many kids.

The other thing that came to me was the Literary Death Match. These killing matches, as co-creator Todd Zuniga says, marry the literary and performative aspects of Def Poetry Jam, rapier-witted quips of American Idol’s judging (without any meanness), and the ridiculousness and hilarity of Double Dare. LDM spreads like an inkblot: San Francisco, Paris, London, Toronto, Baltimore, Shanghai, Savannah, Oxford, Vilnius, Montréal and… of course, Amsterdam!
The second Amsterdam LDM will take place on Thursday December 1 of this year. I will be one of the contestants. I will read from The Weed Man, my new YA thriller, and I will keep the SCBWI colors flying high! And just so that you know: as a former hockey goalie, I have a strong tendency — some may even call it a character flaw — to win!
If you’re in Amsterdam on December 1, come and cheer me on!
Follow the LDM FB page for more info on the venue.

What else? Yes, of course, I finished the first draft of The Weed Man. Set in Amsterdam, this is the epic journey of 16-year-old Dorian Vayne wanting to be independent and, to gain that independence, venturing on the darker sides of this city of sin. Or, as he so aptly says himself: “I suck up the light of those around me, of my friends. Once, I had friends, but one died, one got beaten up, one left me, and one turned out to not be my friend at all. Now I’m stuck with nothing, but the black hole I am.”

Isn’t it true that all good things come in threes?

Setting Free the Genius

Posted on October 17, 2011

How is it that a book written in 1934 is still valid?

This fall I enrolled in the three semester course Teaching Creative Writing at the Amsterdam University of Applied Sciences. One of my first assignments was reading Becoming A Writer, written in 1934 by Dorothea Brande.

It turned out to be a book that, to this very date, is thought-provoking and useful to all who aspire to be a writer.
Brande had no knowledge of the right brain and the left brain, not the way we do now, but she shares her views as if she did, explaining about the two parts of a writer: the conscious part and the unconscious part. Her main objective in this book is to teach you how to open that tap in your brain that lets your unconscious flow freely into your pen. It is that part, that flow that writes the stories, she says. She even advocates that you find that tap way before you start messing up your brain with the abundance of writing technique handbooks that are poured out on the market. First the unconscious, then the conscious, she says.
Near the end of the book Brande introduces the genius, the third component of your nature: “feeble or strong, constantly or spasmodically”, it’s there, she says. Everyone’s got it, but you need to set it free. You must learn to use it. And for that you need rhythm, monotony and silence. Most of us find that rhythm, monotony and silence instinctively: we run, we knit, we walk, we bike, we do whatever brings us that light state of hypnosis from behind which our stories are blended into an integrated work.

Thankfully Brande hands us not just the theory, she shares excellent exercises, too. Exercises that let you tap freely from your unconscious and exercises to find that spark of genius that is buried inside all of us. Go read it. It’s worth it.

Becoming A Writer by Dorothea Brande with a foreword by John Gardner; Jeremy P. Tarcher/Penguin; ISBN 978-0-87477-164-0.

Just A Few More Seats Available

Posted on October 3, 2011

We are happy to announce that the preparations for the first conference of the SCBWI The Netherlands chapter are in full blast. The registrations are in, the speakers are lined up, the venue is ready!

But…

We have a couple more seats available, so we have decided to extend the registration period until October 8. First come, first serve!
We also have two more spots available for manuscript reviews and some more for the portfolio reviews. So polish up your WIPs and dust off your illustrations, and send them in. Agent Erzsi Deàk and Writing Coach Sarah Blake Johnson are ready to provide you with the most valuable advice on your projects. Submission deadline: 8 October latest!
If you sign up for a portfolio review (by Art Director Ben Norland or Writer/Illustrator Doug Cushman), you can bring your work to the conference. Read all about it on the Submission page.

Just let us know before October 8 if you would like to opt-in for an individual review.

 

Be quick and register if you want to hone your craft with our writing and illustrating masterclasses and if you want a taste of what is going on in the global publishing industry.

To register visit the Registration page.

 

Meet the Speakers at the SCBWI NL Conference

Posted on September 18, 2011

These are the awesome people that will speak at the SCBWI NL Conference in Amsterdam on November 5. Remember the deadline for registration is OCTOBER 1. Seats are filling and so are the spots for portfolio and manuscript reviews!

Doug Cushman is author and illustrator of award winning children’s picture books for over 30 years and the creator of many memorable heroes as the intrepid Aunt Eater, the grasshopper gumshoe Inspector Hopper, and the ace reporter Dirk Bones. A sample of some of the honors: Reading Rainbow Review Book for Aunt Eater Loves A Mystery; National Cartoonists Society 1996 Rubuen Award for Book Illustration for The Mystery of King Karfu; New York City Public Library Best 100 Books of 2000 for Inspector Hopper; New York Times Extended Children’s best Sellers for What Dads Can’t Do; 2004 Christopher Medal for Never Ever Shout In A Zoo; 2007 Sakura Award and 2009 California Young Readers Medal for Mystery at the Club Sandwich; 2007 Maryland Blue Crab Award for Dirk Bones. Find out more on Doug’s website www.doug-cushman.com.

Ben Norland is the Executive Art Director at Walker Books in the UK. Ben graduated from the RCA after studying fine art. As he tried to make a living as a painter, he drifted into the world of children’s books and ended up instead a full time designer working at Walker Books. He’s worked on most every kind of publication for children, from teen fiction to pop-ups and from board books to graphic novels. Visit the Walker Books website to find out more about their books.

Martine Schaap started her career in a bookstore in Munich, at that time already having a preference for children’s and young adult literature. Soon she switched to publishing, working for several publishing companies, from the family-owned Gottmer, where she was a children’s book editor for over 8 years, to concern publishers like PCM and WPG. As publisher at Van Holkema & Warendorf for 15 years and now already 9 years at the publishing helm at Ploegsma, she has edited hundreds of books for children. Martine introduced successful children’s book authors like Jet Boeke (Dikkie Dik, Dutch Sesame street), Carry Slee, Mirjam Oldenhave and Caja Cazemier. She publishes internationally famous characters as well as classics of authors like Astrid Lindgren, Beatrix Potter, and Laura Ingalls Wilder. In addition Martine translates English and German books into Dutch and, with her husband illustrator Alex de Wolf, she wrote for many years the series Mop and Family, which was published in the US in Ladybug, the Magazine for Young Children.

Omar Curiëre started his own company OC Graphics 15 years ago, specializing in 3D visualization and interactivity. When his son was 3 or 4 he bought him his first Roxie Munro book called Mazeways and then another, and another, and another. Often he found is son and daughter on the floor drawing their own mazes. The introduction of the iPad had a huge impact on his company and, by watching his children, he realized OC Graphics could make apps. So… Omar mailed Roxie Munro. Together they set out on an amazing adventure and created apps that stand out and gain praise all over the world. You will find more information on the website www.ocgstudios.com.

Erszi Deàk is founder and president of Hen & Ink Literary, and works in the traditional publishing arena, encouraging and developing projects across cultural borders, genres, and media. A writer and editor, she worked with La Martinière Groupe in France, acquiring approximately 40 English language titles a year for their Le Seuil and La Martinière Jeunesse imprints. Erzsi is the only SCBWI member to receive the prestiguous SCBWI Member of the Year award twice. She launched the SCBWI France chapter in 1996 and as SCBWI International RA Chairperson and creator of the SCBWI Bologna Conference, she oversaw the growth of 28 regions and mentored writers and illustrators around the world. Her website is www.henandink.com.

Sarah Blake Johnson has stepped in quicksand in Brazil, walked on the Baltic Ocean in Finland, cooked dinner in a geyser in Iceland, learned to play an ancient Chinese instrument in southern China, and explored abandoned castle ruins in Germany, all places she has lived with her family. She is a seasoned creative writing instructor with an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts. Sarah blogs at http://sarahblakejohnson.blogspot.com and is a member of the group blog, Through the Tollbooth. Currently, she lives with her family in Frankfurt, Germany.